Besides the Uber mishegas, the other unexpected bit of fun I had in Cannes involved Vine, Twitter’s six-second video platform. Our first night on the town, I met Rob Fishman. Rob runs Niche, a talent agency that connects Vine (and other social media) stars to advertisers that recently sold to Twitter in a very nice deal for a company only 18 months old. I was only ambiently aware of Niche before meeting Rob, so it was fascinating to learn about the business, and to hear about the gaggle of Vine stars they’d brought to Cannes.
My last night in town, Trei, Jonathan, and I decided to get off the beaten path and have dinner at Côté Jardin, a French restaurant on the edge of town. We were sitting in the garden, enjoying a bottle of rosé, when Rob rolled in followed by his coterie of Vine stars. The experience didn’t turn interactive until I went to the bathroom later in the meal and, on the way back to the table, got drafted by Sara Hopkins (700k Vine followers) and Robby Ayala (3.3 million Vine followers) to appear as an extra in a Vine they were crafting.
After shooting it (in one take), Sara returned to her table where she edited and posted the Vine. Within 12 hours, it had 2 million loops (Vine parlance for views); it now tallies nearly 4 million. The results of her handiwork — and my background appearance — can be experienced above.
I haven’t been a big follower of Vine, but as I got into the content of the Vine stars over the next day, it became obvious that what I think Trei observed to me — that Vine is basically a platform for Three Stooges-type slapstick — was right on. The whole experience, especially the speed with which the idea for the Vine was conceptualized and then published, reminded me a lot of blogging. For me, it felt great to master another social platform: 4 million loops and counting, thank you very much.